WikiHouse: democratizing architecture


Base designs from WikiHouse. From http://wikihouse.cc/.

WikiHouse has had Twitter all abuzz today, and a number of design sites have been writing about it (my favorite so far has been at Protein). Basically, the idea is that WikiHouse will have some basic house forms, like the ones above, that a person can download from their website into Google SketchUp. Here they can be arranged and even modified to fit the housing needs of an individual. From SketchUp, the user can hit a “Make this House” button, and WikiHouse will generate drawings for a CNC cutter. The cutter will cut out essentially large jigsaw pieces of 18 mm plywood, which can be assembled into two-layer section.

Assembling the sections. From http://wikihouse.cc/.

These sections can then be spaced out 600 mm and then joined by connectors,

From http://wikihouse.cc/

which are then overlaid by cladding panels. The final product still needs insulation, cladding, sealing and services, but the basic architecture and framing have been taken care of at just the cost of materials, and fairly cheap materials at that, using no power tools and simple fasteners like wing nuts and screws. Twitter user skytempledesign said, “It’s like buying a house from Ikea, except you don’t have to pay.”

The final product. From http://wikihouse.cc/.

Part of what this does is it successfully puts modern architecture and construction into the hands of end users. Whereas before user-made construction has consisted of huts and shanties, this could provide low-cost, high-quality housing for millions. At the same time, it gives people much more control over the design of their homes. The basic forms have somewhat of an angular, post-modern or deconstructivist feel, but they could be modified to fit any design or style. Along with some basic site planning, these designs could maximize sustainability and allow for any sort of decoration (or lack thereof) that people wish to have on their homes. I hope that something like this will allow builders, DIY enthusaists and hobby architects to take part in design and construction in ways that they haven’t been able to before.

Noain just got a great building, but is it a great city hall?


Noain is a small town, essentially a suburb of Pamplona, Spain. The population was barely over a thousand in 1960, but the next fifty years saw exponential growth, reaching almost eight thousand today. Noain has been all over the architecture blogs because of their new city hall (seen here at ArchDaily and hereat Architizer, to name a few), designed by Zon-e Arqitectos.

From http://www.architizer.com/en_us/projects/view/noain-city-hall/27531/.

The architecture is great, and the urban design, while not superb, could certainly be worse. The question I want to ask is, does this building say “city hall”?

I looked desperately to find the building that this city hall replaced, but I was unable to find anything. Considering fairly recent changes in the administration of the area, it could be possible that the old seat of government rested outside the city, or that it did not exist at all. The situation of the building on the very edge of the developed area of the city also suggests that this was not a demolish-and-replace job, but an entirely new creation.

The urban design that the building is a part of deserves note.

Click to zoom. From http://maps.google.com/.

The city hall sits at the southwest side of a square plaza, with buildings on four sides. The plaza is a bit wide for its buildings (or the buildings are a bit short for the plaza, take your pick), but it’s still fairly nice, even if it feels somewhat empty. The biggest problem with the plaza is that the building to the northwest is way too small, and the large open spaces on either side of it destroy the sense of enclosure for the plaza. On the north side of the city hall is a fairly busy park, and it would be a shame to destroy an amenity like that to complete the square, but at the same time, the plaza is fairly empty while the park thrives. My solution would be to scrap the square, put the park in its place, and build more around the edges. While a street does separate the buildings from the square, it is a fairly narrow and easily traversable street, and parking is relegated to the backs of buildings. Whether intentional or not, the city hall continues a theme of the buildings around the square having a differentiated base and upper stories, accomplished on the older buildings with loggias and on the newer ones by changes in material and building depth. This gives the buildings cohesion despite different materials and architectural styles. With the exception of the squat structure to the northwest, the buildings are of similar scale.

From http://www.archdaily.com/153230/noain-city-hall-zon-e-arquitectos/.

The exterior is made up of two layers. The first, and probably most interesting is a metal grid structure. Alone, this structure works as a brise soleil, shading the structure from high summer sun while allowing lower winter rays to penetrate. What is the more intriguing part of this layer is that flowerpots on the top and bottom of the structure house Virginia Creeper vines, which grow over the structure. The vines are deciduous, so their leaves shade the building from the sun in summer, but after they fall of in winter greater sunlight is allowed into the building. The creeper also ranges in color from green to a deep red, providing visual interest. Its berries also provide food for birds. Although it is beautiful, and probably my favorite element of this building, I have some fears about introducing non-native plants, which have a habit of becoming weeds when their natural predators and competitors are not present. On the roof, solar panels face the south, while a large skylight lets diffuse light into the entire building and also working as a solar chimney to ventilate it.

From http://www.archdaily.com/153230/noain-city-hall-zon-e-arquitectos/.

The second layer is made up of two sub-layers, one of transparent glass and one of a translucent cover that shields most of the building. This translucent layer allows diffuse light to come in throughout the entire building, and turns it into a light-emitting beacon at night. The double layer also provides greater insulation than a single layer of glass alone, making it easier and less energy-intensive to keep the building at a comfortable temperature.

From http://www.archdaily.com/153230/noain-city-hall-zon-e-arquitectos/.

The facade, on all sides, is periodically broken up by large, rectangular overhanging balcony elements. These are colored bright red, providing some much-needed color, and breaking up a facade that, at least from a distance, may otherwise seem somewhat repetitive. Having a weird thing about railings, I’m not wild about the vertical panes of glass with no rail, which a very determined child or clumsy adult might make their way straight through (and as a former janitor I hate because people seem to get their fingerprints all over every conceivable glass surface), but I do see how it makes the elements seem deeper and more connected to both views inside and out.

From http://www.archdaily.com/153230/noain-city-hall-zon-e-arquitectos/.

The central interior feature of the building is an open staircase running through all levels of the building and connecting to corridors on each floor which then connect the offices and meeting rooms. While there are things I dislike about it (railings), I really like this strong, simple and central element that unites the different parts of the building. The interior walls do not reach all the way to the ceiling, which allows light from the outside to further penetrate into the interior. The emphasis on natural light cuts down on the need for electric lighting, while heating and cooling are accomplished by an energy-efficient geothermal system and radiant floor heating and cooling. The climate control and ventilation systems are all synced up on a central computer system that works to optimize both comfort and energy efficiency.

This is, without a doubt, an excellent building. My question though is, is it an excellent city hall? What about this building says government, stability, democracy? Some would say that government transparency is embodied in the design, but I can see few other elements that conjure up the working of government. Part of the reason that classical and neoclassical architecture is so widespread in government buildings is because it conjures up ideas of power, stability, and tradition, which few modern attempts have been able to match. Now, I do not believe at all that all government buildings need to be neoclassical, but I think it is important to investigate what it is about that architectural style that says to people, “democracy.” Is it the association with ancient Greece? Is it the bilateral symmetry? Is it the repeating elements of column and void? Whatever it is, as much as I like this building, I don’t know if it has the elements that label a building as a house of government.

Park in the wrong spot in Vilnius and get run over by a tank


This video has been making the rounds today, and I just love it. This is the Mayor of Vilnius, Lithuania, Artūras Zuokas, taking a soviet-era personnel carrier to a Mercedes parked in the bike lane. The event is, of course, staged, but it is there to make a point–the bike lane is for bikers, not parking. It is a problem, apparently, in Vilius, as well as here in the United States. The people over at Grist are encouraging Mayor Bloomburg to run a tank over an NYPD cruiser, a frequent bike lane violator, as you can see near the end of this video. Although this probably wouldn’t be the wisest way to deal with every bike lane infraction, it certainly gets people’s attention.

The Diverging Diamond Interchange: good for cars, but what about pedestrians?


About a year ago, shortly before I left Provo for Philadelphia, there was a big stir in the news about a revolutionary interchange being designed in American Fork, Utah. Horrocks Engineering was designing a diverging diamond interchange (DDI), only the third in the nation, to try to improve traffic flow over I-15.

From http://www.deseretnews.com/article/705337066/I-15-bridge-set-for-installation.html

What is revolutionary about this design is that it minimizes left turns, which slow down traffic both for the turners and those whose lanes they are turning across, by having all traffic cross onto the left side of the road for a short time. Although this may sound confusing, you can see how the various movements would work here.

I sort of forgot about this for the next year, until I read today’s article in Slate by Tom Vanderbilt. In it, Vanderbilt discusses this and other methods (such as the much-maligned Jersey Jug Handle) that have been tried to improve left-turn related highway problems. The DDI has gone through various tests (although there is not currently a standardized design) and drivers are able to overcome the strange feeling of driving on the left fairly quickly (although it should be noted that the DDI does depend on traffic islands to make sure that drivers don’t just continue going straight on into incoming traffic).

There are a number of issues related to the DDI and questions that, in its infancy, have yet to be answered. Vanderbilt begins addressing what I think it the most important issue, that of pedestrian access. “While the intersections are avowedly built with access for pedestrians and cyclists in mind, as this rather involved walk-through video of a DDI reveals, it doesn’t really feel like a human-scaled environment,” he says. The FHA argues that it is safer for pedestrians because they only have to cross traffic going one way each time they cross. While this is true, pedestrians have to cross four signals to get to the other side of the road, giving them plenty of opportunity to be hit by cars and also forcing them to wait in inhospitable environments at each crossing. On the plus side though, by breaking the lanes up into smaller segments, it makes it easier to jaywalk across (an inevitability that few planners or engineers consider).

There are two basic systems of pedestrian access in a DDI, as are detailed in this selection from the ACEC of Michigan’s report on DDIs:

From http://www.acecmi.org/pdf/DDI.pdf.

In addition to those specified above, another disadvantage of the center crossing is the feeling of being surrounded by cars on either side. This can be mitigated with the high walls that are seen in the video above, but that just exchanges being surrounded by cars with a feeling of claustrophobia.

A number of sources say that the safety problems of crossing so many lanes of traffic can be addressed through signalization. However, doing so would interrupt the continuous traffic flow that is the main advantage of the DDI for motorists. You might as well do a traditional diamond.

You might be able to tell, but despite the professional assurances from highwaymen, I am skeptical about the advantages of the DDI for pedestrians. But I really want to know what you think. Is the DDI any better or worse for pedestrians than a traditional freeway interchange, and why?

Vanderbilt ends his post with a great point. He mentions that the assumptions about DDIs and their traffic improvements are based on the idea that traffic will continue to increase because we will continue suburban sprawl patterns of development that make it hard to be a pedestrian. The question is, if we continue to neglect the link between land use and transportation, and refuse to build balanced transportation systems, “Can you ever truly design your way out of congestion?”

What does the Roundhouse tell us about Philadelphia’s past and future?


Philaphilia is a very unique blog. It reminds one of the old Maddox website, if that site had been devoted to urban issues in Philadelphia. It’s a unique combination of detailed research (often including images from the archives of the city and of Temple University) mixed with language that you would find on the walls of a poorly-maintained junior high bathroom. The “Butt-Fugly Building of the Week” this week is the Roundhouse (a.k.a. Police Administration Building), and the author pulls no punches in explaining what’s wrong with it.

from http://philaphilia.blogspot.com/.

The building’s concrete exterior (which was considered an innovative use of prefabricated materials at the time but now just looks dull and repetitive), the low wall around it, the extensive hardscaping instead of greenery, and the fact that it looks like a pair of handcuffs all lead to this building screaming not so much “law and order” as “police state.” And it is hard to say which one of these was actually the architect’s goal; the building was built in the 1950s as part of a redevelopment scheme for the area around Franklin Square, such a well-known “Skid Row” that Jane Jacobs comments on it extensively in “The Death and Life of Great American Cities.” While they did do a good job of cleaning the problems out of the area, they didn’t really replace it with anything good (Franklin Square, bounded on two sides by freeways, is only able to entice people to it by having a playground, carousel, miniature golf course and small restaurant, something none of the other major squares in Philadelphia need because they are surrounded by a good pedestrian environments). The area, instead of having shops and apartments, has a whole lot of parking, a few single-use office buildings, lots of big roads, and a few public spaces that the public is not terribly fond of (especially the monumental sculpture across 6th from Franklin Square, where I have never witnessed a single solitary soul mounting the steps to get a closer look).

The Roundhouse has not aged well. Some problems were immediately apparent, such as the impracticality of fitting rectangular furniture against circular walls. The building was poorly ventilated and developed mold and mildew problems. The concrete walls made repairing wiring and plumbing difficult. As the concrete has decomposed over the years, holes have developed in the facade, inviting drafts as well as ants and roaches. The police don’t even like the building, and have been trying to find a new headquarters for years.

Although highly praised by the architecture critics of the day and still considered a masterpiece by fans of the Brutalist movement, the majority of the non-architectural crowd is not terribly fond of the building. However, enough people apparently thought high enough of it to get it placed on the city Preservation Alliance’s historic list, making redevelopment difficult. The Market Urbanist has suggested that a facadist course be followed, building two new Muranos on top of the existing handcuffs. This would certainly have its advantages in introducing some much-needed residences into an overwhelmingly office-dominated area. The problem is, this would still preserve some of the current issues, including the impracticality issues discussed on Philaphilia, as well as not addressing the lack of sidewalk frontage or other sort of pedestrian interface. It would still be a single-use building in an area that could really use some restaurants or stores on the ground floor. I think the best thing would be to scrape the whole building and start again with something that comes all the way out to the sidewalk, but with the historic designation, it is unlikely that such a course could be achieved.

Holding Pattern


From http://www.architizer.com/en_us/blog/dyn/24403/field-trip-holding-pattern-by-interboro/.

Interboro Partners have been commissioned to do this wonderful installation at MoMA PS1. But this is more than just a standard architectural installation; Interboro went to the trouble of involving the community and asking what they wanted, creating something that will be an asset to the community even after it is decommissioned.

Background

From http://en.wikipedia.org/wiki/File:Firstwardsch.JPG.

PS1, as its name indicates, was the first public school in Long Island City. It operated until 1960, when it was closed due to low attendance. It sat empty until 1976, when Alanna Heiss and the Institute for Art and Urban Resources took it over, converting it into artist studio and exhibition space. Starting in 1998, they created the Young Architects Program, a competition where contestants submitted designs for what had been the playground of the old school. PS1 became associated with MoMA in 2000.

The Installation

From http://www.architizer.com/en_us/blog/dyn/24403/field-trip-holding-pattern-by-interboro/.

What I find most interesting about the installation is the process. Instead of thinking about what they wanted for the space, Interboro asked the local community what they wanted. They went to local schools, senior and daycare centers, and a cabbie unit and asked, “Is there something you need that we could design, use in the courtyard during the summer, and then donate to you when Holding Pattern is deinstalled in the fall?”

From http://www.architizer.com/en_us/blog/dyn/24403/field-trip-holding-pattern-by-interboro/.

The result is a variety of furniture, sports equipment, and plants. Items include “a foosball table for the Jacob A. Riis Neighborhood Settlement House, a ping-pong table for the local cabbie corporation, Checker Management, even a stage that emits a cool mist for the nearby 5Pointz Aerosol Art Center.” Each one is marked to indicate who it will go to when the installation is taken down, and the documentation for the exhibit is posted along its walls. Some local organizations will even host events there.

From http://www.architizer.com/en_us/blog/dyn/24403/field-trip-holding-pattern-by-interboro/.

The installation has a great sense of enclosure because it was already an enclosed playground. The coldness and fortress-like nature of the walls is mitigated to a degree by the documentation on them, and is contrasted by the softness of the trees and light-colored wood furniture. Finally, the streamers create a sense of having a roof, completing the enclosure, while still allowing openness to the sky, as well as a dynamic experience with the wind. This is a beautiful space, and while it won’t be here for long, it will be providing benefits to Long Island City for years.

Urbanism: Landscape v. New


I haven’t gotten involved in the blogosphere’s Landscape Urbanism v. New Urbanism debate because, frankly, I have not been able to understand what Landscape Urbanism is. When I first heard the term and looked it up on Wikipedia, it read, “Landscape Urbanism is a theory of urbanism arguing that landscape, rather than architecture, is more capable of organizing the city and enhancing the urban experience.” OK… I have no idea what that means. What does it look like? What do Landscape Urbanists hope to achieve? How is it different from other urban theories?

At the time I didn’t feel like investing much more effort into learning about it and figured it would go away soon enough. But after this article came out and detailed the appearance of Charles Waldheim, a leading proponent of Landscape Urbanism, at CNU 19 (available on YouTube, Part 1 and Part 2) and the subsequent discussion between him and Andres Duany, founding member of the Congress for the New Urbanism, I felt that I should finally try and understand for myself. I’ll start with my efforts to understand what Landscape Urbanism is, followed by my assessment of Waldheim’s presentation and Duany’s response.

What is Landscape Urbanism?

Unlike New Urbanism, the doctrines of Landscape Urbanism are quite opaque and academic, as is evidenced by one of the first results I got when I typed “Landscape Urbanism” into Google, the Landscape Urbanism Bullshit Generator (sorry, went for the direct quote there). However, one of the more useful results was The Landscape Urbanism Reader, a compilation of essays assembled by Waldheim to show the fundamentals of Landscape Urbanism.

One of the essays, “Terra Fluxus” by James Corner, was quoted almost everywhere else I looked as the closest thing to a doctrine of Landscape Urbanism. According to Corner, there are four foundations of Landscape Urbanism: “processes over time, the staging of surfaces, the operational or working method, and the imaginary.” Simple enough, right?

Corner goes on to explain the first principle by stating that the processes of urbanization are more important than the urban forms in themselves, and that urbanism must be thought of both in time and space, drawing from Louis Kahn’s idea for the development of Center City Philadelphia, in which he compared the movements of people to the flows of water.

The second is concerned with the horizontal surfaces of a city, including infrastructures. Corner discusses how the grid of a city allows for its future use without determining exactly what will fill the blocks created by the grid.

The third principle addresses the design process applied in cities today, and while Corner seems to not approve of how the utopian models of many designers seem to devolve into the dross of the contemporary urban world, he doesn’t seem to give a real, working alternative.

In expanding on the fourth principle, Corner says that “the collective imagination … must continue to be the primary motivation of any creative endeavor.”

The High Line, from thehighline.org.

Well, alright, that all sounds very nice, if not overly scholarly. But again I ask, what does it look like?

The images that accompany Corner’s essay are beautiful: the High Line and Fresh Kills in New York; East Darling Harbor in Sydney; The Botanical Garden of San Juan, and others. The problem is, they’re all parks—not complete urban developments. Many of the images used to describe Landscape Urbanism, both in the Reader and online, are also of parks, and very few of them really involve any urbanism.

One such development, later selected by Waldheim as a prime example of Landscape Urbanism, is West 8‘s Borneo-Sporenburg in Amsterdam Harbor.

Borneo-Sporenburg

Aerial image of Borneo-Sporenburg, from west8.nl.

Borneo-Sporenburg was developed on two piers on the east end of the Amsterdam Docklands. They happen to be just south of Java Eiland, another recent development that I raved about in an earlier post and which has a few marked differences from development at Borneo-Sporenburg. I will use some of these differences to highlight issues at the latter.

Borneo-Sporenburg, like Java Eiland, consists mainly of a mix of residential types, mostly townhouses and a few apartment buildings. The long, skinny nature of both developments lends itself to having a few long roads running parallel to the piers (or island, as is the case at Java) with smaller streets interspersed running perpendicular. They are both completely ringed by docks, almost all of which have a small (or sometimes not-so-small) boat moored at them. Both have narrow, cozy, tree-lined streets, with bikes locked up in front of nearly every building. The buildings form solid street walls, have entrances directly on the street, and generally maintain a similar cornice line. Both are served by a trolley.

The differences, however, are what make me want to live on Java Eiland—and not so much Borneo-Sporenburg.

On Borneo-Sporenburg, both piers are interrupted about halfway through by large apartment buildings set off from the grid and surrounded by plazas. While these do interrupt the view and help to create outdoor rooms and terminated vistas, the vista is often nothing too impressive.

The view along Seinwachterstraat. From maps.google.com.

The plazas created around the buildings are leftover spaces, and aren’t truly civic or public spaces. They are almost completely hardscaped and have very little greenery other than small trees in some of the plazas.

Plaza along Stuurmankade. From maps.google.com.

You would think that, being developed by Landscape Urbanists, that there would be more landscaping. Yet there are only two parks, one per pier, in the development: a linear park along Feike de Boerlaan:

From http://maps.google.com.

…and one that cuts across the three main streets on Sporenburg:

From maps.google.com.

Java Eiland, on the other hand, has a variety of green spaces, ranging from parks on the interior of housing blocks:

Kratontuin, from panoramio.com.

…to large open fields:

From maps.google.com.

…to playing fields:

From panoramio.com.

…to linear parks.

From panoramio.com.

The West 8 website mentions that the houses at Borneo-Sporenburg are “strongly oriented to the private realm by incorporating patios and roof gardens.” This idea is strongly anti-urban. After all, one aspect of what gives a place a good urban character is having great, public green spaces. The idea of trading in public space for private green space is one that is suburban in character; people who strongly value private green space will buy a ranch house in the suburbs. Although the architecture and some of the public settings, such as the beautiful and highly sculptural bridges, are very attractive, I highly doubt anyone is moving there for a private patio.

West 8 also mentions that the development was built with “water-related activities” in mind, and some might suppose that these will replace some of the opportunities for recreation that are lost through the lack of significant public open space. However, those “water-related activities” are fairly limited. This isn’t a beach, this is a former working harbor, with deep water and heavy boat traffic. You aren’t letting your six-year-old jump in with their water wings. Pretty much the only water activity allowed is boating, which certainly limits those who can use this resource to a certain demographic. Even with that in mind, the design of Borneo-Sporenburg only really allows for those who front the edges of the peninsulas to have ready access to water (although there is a small dock between the piers).

In contrast, Java Eiland allows much greater access by providing traditional canals between blocks in the principally residential sections. This way, virtually everyone in these sections has access to water, as opposed to just those that front the edges.

Java Eiland canalscape. From panoramio.com.

Probably most troubling to me about Borneo-Sporenburg is the limited mix of uses. With the exception of a very few restaurants, the land uses are only residential and recreational.

Java Eiland, on the other hand, has a variety of residential, recreational, retail and office uses, with corner stores on almost every block in the principally residential sections. Again, if people are concerned about non-residential uses encroaching on their homes, they will move to the suburbs. Probably the principal joy of living in a city is having easy access to a variety of uses, such as on Java Eiland.

By maintaining a high density but not including significant public open space or mixed uses, the developers of Borneo-Sporenburg have kept something that drives people away from cities—without providing what draws people to them. Although the attractive, high-end architecture will attract people for years, I worry about the future of this development when the architecture goes out of style.

Java Eiland, on the other hand, while not claiming to be a New Urbanist development, provides a number of amenities associated with traditional urbanism: high-quality public open space, a mix of uses, and familiar urban design, which in Amsterdam includes canals.

If I had to pick a place to live, Java Eiland would win, hands down. If Borneo-Sporenburg is supposed to be one of the leading examples of Landscape Urbanism, I don’t think it’s a movement I want to be a part of.

Waldheim and Duany: the showdown

And now we come back to what spurred this whole thing; Waldheim’s visit to CNU 19. First, Waldheim said that Landscape Urbanists are not “apologists for sprawl,” as they have been characterized by New Urbanists, and that they support dense, low-emission development. As an example, Waldheim produced Lafayette Park, a development in Detroit built in the ‘50s and ‘60s.

The plan for Lafayette Park includes a very large park with housing, in the form of large slabs designed by Mies van der Rohe as well as smaller townhouses, inserted into it, with no through streets. A small commercial area sits at the southeast corner of the development.

Waldheim argues that this development accomplishes many of the goals of New Urbanism—compact design, mixed housing types and land uses, and a connected street network.

For the most part, I would say he is wrong on all fronts. First of all, compact design is hard to measure. If what he means is that there are a lot of housing units, that is true, but it is accomplished by putting them up in the air, far away from the action on the street. Looking at Lafayette Park from the street, is doesn’t feel like a compact, urban place. There are multiple housing types, but they are all segregated in their different pods: towers here, townhouses there, duplexes somewhere else. Those of different incomes or tastes are still stratified from each other.

As for mixed uses, there is of course a small commercial development, but it doesn’t bring a lot to the table.

The commercial development at Lafayette Park. From wikipedia.org.

As is evidenced by the vacancies in this image from 2007, it isn’t exactly a desirable place. The auto-oriented development which lacks any sort of attraction has failed as a commercial enterprise, making it hard to say that the area is truly mixed-use.
The connected street network that Waldheim alludes to seems nonexistent. The entire development has no through streets. There are pedestrian connections, but these alone aren’t enough to get people out of their cars.

Waldheim’s point was that Landscape Urbanism “accomplishes” these New Urbanist goals while emphasizing green frontages, rather than the buildings found along major roads in New Urbanist developments. Duany countered by pointing out that density, which Lafayette Park has, is not the same as urbanism, which it lacks. He criticized Landscape Urbanist renderings which show pedestrians walking through their developments, saying that people usually won’t walk unless they have attractive frontage.

While some parts of Lafayette Park, especially the ones Waldheim showed pictures of, did have very nice, well-landscaped frontages, there are other parts of the park that have not been as well taken care of. Even more so, none of them really go anywhere. Unless you’re going to visit a friend on the other side of the park, there’s no reason to walk anywhere.

Waldheim took a shot at New Urbanist’s emphasis on a connected street grid, which I thought was very interesting considering that Corner seemed supportive of it. This emphasizes to me the lack of a real defining doctrine or unity in the movement. You can get different answers from different people about what Landscape Urbanism even means.

Duany subsequently brought up the Landscape Urbanist’s insistence on leaving streams and wetlands undisturbed. While this is in many ways an ideal situation, always leaving them alone would mean that we would have no Back Bay in Boston, made up of a filled-in wetland. We would have no Boathouse Row in Philadelphia, which exists because the dam used for the city’s original waterworks created a perfect boating reservoir. Manhattan, Duany points out, has 2,700 streams, and if all of them were daylit, the island as we know it would not exist.

Waldheim criticized New Urbanism for retro design tendencies. “There is still a latent and poor neoclassicism at the core of New Urbanism,” he said.

Here it becomes important to make a distinction between the urban design and the architecture of New Urbanism. In my mind, New Urbanism is an urban design movement, focused on creating connected street grids with mixed land uses so as to recreate traditional, pedestrian-oriented cities, towns and villages rather than auto-oriented suburbs.

However, there are still many people who see New Urbanism as houses with porches, picket fences, and throwback architecture. This second idea is based on the most visible New Urbanist developments, Seaside, Florida:

…and Kentlands, Maryland.

But this does not take into account more recent developments, such as Belmar and Daybreak, which are able to incorporate more contemporary architectural designs, while still preserving a traditional street grid with consistent building frontages.

Also, there is a problem with assuming that the designers could make all the calls. There are developers, builders and architects that all have their own ideas about what should be built in a given area. If you think about it, part of the reason Kentlands looks the way it does is because the market there is for people who can’t afford to live in Georgetown. By the same token, Belmar is for those who can’t afford to live in LoDo in Denver, but still want to sort of contemporary urban lifestyle available there.

This is also a part of a problem with those who deride New Urbanism; they assume that New Urbanists all draw their inspiration from Seaside. Although there are certainly many who do, the idea of traditional urbanism is much older—centuries older—and the goal of New Urbanists is to resurrect it. When I look for examples of good design, I don’t go to Seaside. I go to the village (Williamsburg, MA), town (Northampton, MA), and city (Pittsburgh, PA) that I grew up in. We have a near endless catalog of good urbanism in our traditional cities and towns. Why limit ourselves to things that have only happened since the 1980s?

Both forms of urbanism have a goal of reducing greenhouse gases. Waldheim presented a project, the Lower Don Lands in Toronto (yet to be built), saying, “I would put the density and carbon metrics” of that project “against any project in this room.” Let’s take a look at this project.

So, connected street grid, buildings fronting onto streets, distinct neighborhoods… Wait, are you sure this isn’t New Urbanist? In fact, the urban design on the project was done by Ken Greenburg, New Urbanist, under the project management of Michael Van Valkenburgh, Landscape Urbanist. So basically, it’s a New Urbanist development with a big Landscape Urbanist park in the middle. I could roll with that.

While Landscape Urbanism has yet to produce a good, full-scale development, they have created some of the best parks of the last couple decades. Mix that with New Urbanism’s ability to create urban, walkable neighborhoods, and you’ve got a killer pair.

New Urbanists and Landscape Urbanists certainly have different ideas about how cities should develop. However, instead of arguing, both sides need to play to their strengths. If we are able to take the best from both of our philosophies and combine them, we can create something great, like what the Lower Don Lands will hopefully be.

 

More Urban Family Values


Carla Saulter may be my favorite writer. A few months ago I cataloged some of her work on raising kids car-free in the city, and in the six months since I last commented she has written many more stories for Grist. Here are three of my favorites.

‘Mom, can we get the kind of car that we keep at our house?’

In this article, Saulter discusses a conversation she had with her daughter about why they don’t own a car. As car-free kids grow up, they start to notice that most of their friends’ families own cars. There are many reasons they might be interested in owning a car: cars convey social status; they are often “the travel choice of least resistance;” having to walk in the rain or other unpleasant conditions while their friends are chauffeured in sedans; what for many is a life milestone, getting a driver’s license and a car; or even industry propaganda.

Saulter explains that she listed a number of factors that influence them not to own a car, including health, pollution, traffic and noise. During a later discussion with her husband, they also came up with reasons like that they didn’t need a car, or that they enjoy using transit and having time to pay attention to their family, read or do other things that aren’t possible while driving.

Saulter is very concerned about telling her children the truth about her decision, but in a way “that doesn’t scare them, or alienate them from their peers, or cause them to question the choices of everyone else they know.” While these are admirable goals, I think a lot of the truth about living a car-free lifestyle is because the things that car dependence have done to our cities can be scary. Living car free will alienate you from some peers. For example, Mormons, generally, are not a terribly urban people, and Holly and I are virtually the only people in our ward who live in our transit-friendly neighborhood and choose not to live with a car, which does ostracize us a bit. As far as questioning others, it is important to teach children to be tactful, but at the same time it is important that they know that living car-free isn’t a decision you came to on a whim, it’s something that you do because you think it is right, and that they should be proud of the positive impact that such a decision has on their own lives, the neighborhood, and the world at large.

Seven ways to live in a small space with kids and not go crazy

Holly and I have been on a bit of a small space kick (we recently watched every available episode on Hulu of Small Space, Big Style), and this was a perfect article for us as we begin to think about having kids in the city. First, she established that “small” for her means 500-1,000 square feet, and that there are a lot of variables, including storage, outdoor space, configuration, number of residents, and urban amenities, that can affect how livable a certain place is. However, these seven techniques are very general and can be applied almost everywhere.

Make “stuff” earn its keep – Think long and hard before you load up on baby junk. Saulter’s rule of thumb is “wait until you have a demonstrated need for an item before you acquire it.”

Think vertical – Shelves and other vertical storage are your friends. Check out how this guy uses his whole wall, as well as other secret spaces, to take care of all his storage needs. Also take advantage of things you can hang on a wall such as pots and pans, or things like magnetic knife racks that you can get at Ikea.

Choose multipurpose, foldable furniture – Almost all furniture can have a storage element to it. Things like futons and hide-a-beds can turn living rooms into instant guest rooms. Foldable tables and chairs can be brought out when needed and stored efficiently when not.

Downsize appliances – Most standard appliances (water heaters, refrigerators, washers and dryers, dishwashers, etc.) are not designed for small urban spaces, but more compact models are often available. There are even combination appliances, such as a combination washer and dryer, that could save even more space.

Digitze it – Instead of saving physical mementos, take more pictures or scans and make digital scrapbooks. Rip CDs onto your computer and get rid of the cases (I save the liner notes because I like having the artwork), or buy from iTunes or Amazon, which is often cheaper. Be sure to back up your files regularly on an external hard drive.

Stash stuff with your neighbors – Sharing with your neighbors can save space and money. Saulter shares an example: “If you’re finished with your baby swing but anticipate needing it in the future, you can pass it on to a co-op member with a tiny one, who will then pass it on to you when (if) you need it again.”

The world is your backyard — go play in it! – Part of the process of suburbanization has been the privatization of functions that were once public. Living small often requires making these functions public again. Use parks instead of a back yard, the library instead of a book room, and people watching instead of TV watching. Public amenities are what makes cities great, and their lack is what makes suburbs boring. Take advantage of this.

The sane person’s guide to bringing kids on public transit

Saulter is the first to admit that there are challenges involved in taking kids on transit. The required extras, particularly strollers, are hard to handle. Other passengers don’t always behave the way they should around children. ON the other hand, children don’t always behave themselves, either. But car-free parents aren’t going away, and there are little things that transit agencies, parents, and other people can do to make the experience better.

What agencies can do

Publish and publicize child-related policies – Make sure requirements are posted on websites and in vehicles and use easy to understand language.

Emphasize Safety – Most parents are unaware that buses are much safer than cars (the #1 cause of death for children). Transit agencies should emphasize their record and include tips on safe transit ridership.

Provide accessible vehicles – Most transit agencies are moving toward low-floor vehicles. These are easier for both children, the elderly and the disabled to board, and actually cut down on boarding time, making for faster transit trips.

Provide better driver training – While SEPTA has more capable drivers (I dare you to try and drive a bus with about two inches to spare on either side down 4th Street), UTA drivers are much more personable. Drivers have to know that there’s more to their job than steering the bus. Also, simple things like not driving until people are seated make transit riding more pleasant.

What parents can do

Set yourself up for success – Pack light. Use a carrier, pack or wrap instead of a stroller or, if you must, a lightweight, foldable stroller. If your kids can walk, let them. They will quickly develop the necessary stamina.

Set your children up for success – Make sure that your child is content and won’t bother other riders. Bring water, snacks or games, and pay attention to them.

Be prepared – Know your route and any connections you need to make ahead of time. While mobile apps are available, it might be hard to handle them and the children at the same time.

What everyone else can do

Relax and offer to help. Be patient with people who are trying their hardest to be patient with their kids. If all else fails, put in your headphones.

These three columns are all full of wonderful advice for the urban parent. My days as a parent may still be ahead of me, but I think that, thanks to Saulter, I will be better prepared than I would be otherwise. I hope to hear more of her wonderful advice at a later date.

Penthouses and Rooftop Terrace


From http://www.archdaily.com/142110/penthouses-and-rooftop-terrace-jds-architects/

As interested as I am in the projects that I cover, I usually don’t find them to be something that I would like to live in. That changes with these homes in Copenhagen. Though the units are fairly simple, the amenities are great, and the neighborhood is a sight to see.

From http://www.archdaily.com/142110/penthouses-and-rooftop-terrace-jds-architects/

The penthouses, designed by JDS Architects, are part of a co-op in the high-density neighborhood of Elmegade, Copenhagen. Though fairly standard for contemporary Scandinavian design, these two- to three-bedroom units are spacious, simple, and very light, with wood floors and large windows overlooking Birkegade and the inner courtyard of the block. What makes this project special, however, is what is on top of the penthouses.

From http://www.archdaily.com/142110/penthouses-and-rooftop-terrace-jds-architects/

As seen here, in SketchUp-esque glory, the roof terrace is divided into three zones: a wooden “sun terrace,” a grassy hill with a wooden area and grill below, and an orange-clad, shock-absorbing sports and leisure area. Not pictured on the diagram but evident in the first picture are the viewing platform at the top of the hill and a set of bathrooms at the far end of the sports area.

From http://www.archdaily.com/142110/penthouses-and-rooftop-terrace-jds-architects/

Despite this image bearing a striking resemblance to the cover of Muses “Black Holes and Revelations,” it does a good job of showing how the different zones come together, as well has how they are used. Also, there is an absolutely adorable Scandinavian child playing with a big red ball. I believe each penthouse comes with one of these.

From http://www.archdaily.com/142110/penthouses-and-rooftop-terrace-jds-architects/

If there’s one mundane thing that I get geeked up about when it comes to architecture, it’s railings, something Penn students seem to be unaware of. While the lack of a railing along the steps would probably discourage my grandpa from living there (as well as the temperatures and those beautiful Scandinavian socialists), I think it works for the target group of young families. If kids fall off the steps, they fall into the grass and possibly roll down the hill. If that’s the case, there are railings surrounding any significant drop, including that of the outdoor kitchen, which would protect the child from injury.

From http://www.archdaily.com/142110/penthouses-and-rooftop-terrace-jds-architects/

The view from the roof is spectacular, and although they don’t seem to have any pictures of it, I’m sure the scene from the viewing platform is even more so. If I were able to snag a penthouse like this, I would gladly continue this blog from my rooftop terrace in Copenhagen.

Rijkswaterstaat Head Office


From http://www.archdaily.com/138092/rijkswaterstaat-head-office-24h-architecture/

Quick! What do you think of when you hear this phrase: underwater ghost moose?

From http://www.archdaily.com/138092/rijkswaterstaat-head-office-24h-architecture/

If your answer was “public works,” congratulations, you’re either a Dutch architect or think like them (24H Architecture, to be precise). They designed this building in Assen for Rijkswaterstaat, the Dutch agency in charge of roads and waterways. This building has a lot of things that I really like and a few blaring deficiencies. We’ll start on the outside and work our way in.

From http://www.archdaily.com/138092/rijkswaterstaat-head-office-24h-architecture/

I don’t understand the complete lack of landscaping. I’m not sure if this is supposed to be some sort of pervious, green parking lot (since it appears to be a suburban location without the amenities of a real city), but you would think there would at least be some sod or something, especially on the mound that surrounds the building itself. Maybe it’s just not done, but then that raises the question, why would you send in the photographer when the project isn’t finished?

From http://www.archdaily.com/138092/rijkswaterstaat-head-office-24h-architecture/

The south facade, while brutal even by the architect’s assessment, is very interesting. I feel like it fits for a group that builds roads. The pattern on the side suggests to me a chevron, representing speed, and the alignment and spacing of the windows almost looks like cars and trucks on a busy street. The areas between the chevrons have a very rough surface, and the stated intent of the architect was that these areas would eventually fill in with moss, which would greatly soften the look of this wall.

From http://www.archdaily.com/138092/rijkswaterstaat-head-office-24h-architecture/

The north facade, by contrast, is much softer. Though there is a similar nihilism to the windows, something that Nikos Salingaros would be bothered by, the facade is soft wood, and almost looks like it would be more in place in a Finnishforest than on the side of a Dutch highway. The waving lines in front of the main part of the facade suggest the presence of water, the other main concern for the bureau. I really like the way these two facades work together. While the concrete suggests modernism and strength, the wood suggests softness, nature, and tradition. While I would much rather live in an all wood house than an all concrete one, I think that this building does a good job of taking the best of what concrete has to offer and making it fit comfortably with the wood.

From http://www.archdaily.com/138092/rijkswaterstaat-head-office-24h-architecture/

I like the entrance. First of all, I think its good that they took the time to consider a ramp and integrate it into the design, rather than as an afterthought. I really like the steps that are filled with gravel and hope that they are fully permeable, and don’t just have concrete underneath them, which would frustrate the sustainability goals of the developer.

From http://www.archdaily.com/138092/rijkswaterstaat-head-office-24h-architecture/

On the inside, the space opens up, with group workstations on the north wall and offices on the south, with a large open space in the middle. The wood is continued within, but generally lighter, which is appropriate for an interior. This space shows the different ways that wood can be employed, both as flooring, sheathing and structural elements. In some parts of the interior, the walls are decorated with aquatic or foliage patterns (both in blue, for some reason). The central space is made up of a fairly grand, three-tiered staircase. I will say that I find it attractive, but I wonder about its functionality. Will it have plants on it? Will it be a meeting space? If so, what elements would be necessary to make it safe? Is it just to be left as-is?

From http://www.archdaily.com/138092/rijkswaterstaat-head-office-24h-architecture/

One thing that appears in some places is the interplay between detail surfaces, such as the wood that sheathes a lot of the interior, and the blank, yellow-green surfaces in some part. In some cases, blank spaces play well with the detail found in natural surfaces, such as on the white spaces next to the doors in the picture above, which almost have sort of a space-age feel. But to cover large expanses of wall with a single color and no manner of detailing, it just gets boring. It looks naked. It looks like you meant to put up pictures, but never got around to it. The kitchen in this building looks particularly bare. But who knows, maybe that’s where the motivational posters will go when this place is actually in use.

By the way, I just searched “underwater ghost moose” on Google, and got no results.

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